Tuesday, April 4, 2017
A life-sized bronze statue of The Dying Gaul at Iford Manor
The Dying Gaul at Rousham Garden was made by Peter Scheemakers in the early 1740s
It wasn't until I was looking through all my photographs of the Passionate Gardener's Tour last May, that I noticed two of the gardens had versions of the same statue called The Dying Gaul. I had vaguely heard of The Dying Gaul from the 2005 film with the same name, but I needed to do some research to understand the historical significance of the statue in these gardens.
The most famous Dying Gaul statue was created from marble during the first or second century AD, and is located at the the Capitoline Museum in Rome. It is a copy of a bronze Greek original made a century earlier. The original statue, which was lost, or more likely melted down, was made by by the Hellenistic sculptor, Epigonos. The Dying Gaul was a monument to commemorate Hellenistic victories over the invading Gauls in what is now Turkey. The statue depicts the final moments of a Gallic warrior. When the Roman statue was brought to the United Sates, Earl A. Powell III, director ofNational Gallery of Art stated that, "the Dying Gaul is a deeply moving tribute to the human spirit. An image of a conquered enemy, the sculpture represents courage in defeat, composure in the face of death and dignity.”
William Kent, who designed the gardens at Rousham from 1733-1740, chose this statue to highlight the military background of his client, General James Dormer-Cottrell. The statue at Iford Manor, an Italianate garden designed by Harold Peto in the early part of the 20th Century, was a much newer reproduction made of bronze. Petro was a devotee of Italian gardens and liked to use ancient fragments of masonry and old buildings to create a feeling of the past in his gardens.
You can see both gardens and statues this September, when I will be hosting a tour called Late Summer Gardens of Southern England. For the itinerary, look here. For more details, visit the Discover Europe website here. If you have any questions, you can reach me directly at email@example.com.
Saturday, January 21, 2017
I have just returned from a visit to New York City to hear a lecture by Bill Noble on the gardens of the Cornish Colony in New Hampshire. I purposefully choose a hotel near the High Line when I am in New York and I had a nice walk there on Thursday morning. The grasses and perennials had not been cut down yet and looked spectacular gently blowing in the breeze.
I go to the High Line for inspiration. When I was designing public spaces in Peterborough, my goal was to create gardens of the highest quality possible with the resources available. As I studied public spaces, especially under the mentorship of my friend Lynden Miller, I began to learn the importance of making public spaces available to everyone. Lynden, who has designed many remarkable gardens in New York City, taught me many lessons about making everyone, no matter what their socioeconomic situation, welcome in public spaces.
The Friends of the High Line have taken inclusiveness a step further. At every entrance to the High Line, there are new placards welcoming all people to this public space. They are making a political statement against "the divisive, hateful speech we are hearing and witnessing across our country." I agree with the Friends of the High Line, this is a crucial moment to take a stand and I applaud their commitment to make "equitable and open spaces" that reflect not only the diversity of their community, but of our country and our world.